The intaglio is engraved with a satyr seated on rocks, hand to chin, a thyrsos behind, contemplating a tree-trunk trophy with corselet, shields and sword. Set in the 19th century in its gold bezel; the band is modern.
American private collection, mounted in the 19th century.
The trophaion (or tropaeum in Latin) was a trophy, a monument erected to commemorate a victory in battle. It was in the form of the armour of a defeated enemy and in ancient Greece it was set up on the battlefield, with the armour hung on a tree. It would be a votive offering to a deity in thanks for the victory. By the time of Ancient Rome, trophies were displayed prominently in public areas of the city of Rome for all to see. During the Republic, this was with the purpose of political self-aggrandisement for the victorious general, enhancing his public profile as he advanced the cursus honorum. In Imperial Rome, such imagery was employed on media as diverse as coins, gems and sculptural reliefs, for the glory of the emperor and to convey the might of Rome.
The armour usually consisted of the hoplite panoply, with the cuirass hanging on a cruciform tree, surmounted by a helmet, with shields and spears piled around the tree trunk. For further discussion, see L. Kinnee, The Greek and Roman Trophy: From Battlefield Marker to Icon of Power, London, 2018.
For a similar example now in
the Walters Art Museum, Baltimore, acc. no. 42.1235, cf. J. Boardman, D.
Scarisbrick, C. Wagner, E. Zwierlein-Diehl: The Marlborough Gems, 2009, no. 334; Beazley archive, gem
database no. 334.