This necklace has been elegantly composed of sixty-seven carnelian and jasper New Kingdom poppy head pendants, interspersed with globular carnelian and Hellenistic gold beads. Necklaces were perhaps the most popular...
This necklace has been elegantly composed of sixty-seven carnelian and jasper New Kingdom poppy head pendants, interspersed with globular carnelian and Hellenistic gold beads.
Necklaces were perhaps the most popular form of jewelry worn by both men and women in ancient Egypt. New kingdom pendants were frequently based on motifs from the natural world. Depictions of flowers, in particular the buds of poppies became popular in designs. This meant that the owner could appreciate both their aesthetic quality and amuletic significance.
With
Jean Charpentier (1891–1976), Galerie Charpentier, Paris, circa 1956,
Stafford
Collection, prior to 1992
Christie's, New York, 15 December 1992, lot 34A
Jackie
Fay Collection, 1992
Exhibitions
Odyssey of an Art Collector, at Isaac Delgado
Museum of Art, New Orleans, 1966
Literature
Andrews, C., Ancient Egyptian Jewellery, London,
1990, pp. 123-127.
Hodjash, S., Ancient Egyptian Jewellery: catalogue of
beads, pectorals, aegises, nets for mummies, finger rings, earrings, bracelets
from Pushkin State Museum of Fine Arts, Moscow, 2001, p. 19, no. 15.
Odyssey of an Art Collector, the Isaac Delgado Museum of
Art, New Orleans, 1966, no. 67, p. 50.
Tresors d'or, Collection de
Bijoux et de Monnaies, Galerie Charpentier, exhibition
catalogue, Paris, 1956, no. 49.
Publications
Tresors d'or, Collectin de Bijoux et de Monnaies, Galerie
Charpentier, Paris, 1956, no. 49
Odyssey of an Art Collector, at Isaac Delgado
Museum of Art, New Orleans, 1966, no. 67, p.50