Formed from a stout wire with the body forming the hoop, a scale pattern defined by incised strokes, the neck curving back with the head rearing up and the tongue...
Formed from a stout wire with the body forming the hoop, a scale pattern defined by incised strokes, the neck curving back with the head rearing up and the tongue extended, the tail coiled into two spiral loops, joining the neck with a large gold granule at the centre.
With Nicolas Koutoulakis (1910 - 1996), Paris and Geneva Private collection, Brussels, acquired from the above circa 1980s
Literature
Gold jewellery in the form of snakes was popular throughout antiquity, with snake bracelets appearing in Western Asia from about the 8th century BC. Such subjects spread to Greece in the 5th century BC, and came to Egypt mainly with the Ptolemaic Dynasty. In Greek culture there were certainly healing associations with snakes and such serpentine imagery served the dual purpose of being both ornamental and amuletic, meaning that the snake was invoked to protect the wearer from harm. For further discussion and examples, see S. Walker, Ancient Faces: Mummy Portraits from Roman Egypt, New York, 2000, pp. 151-2 (the Metropolitan Museum of Art, acc. no. 10.130.1509). Also S. Walker & P. Higgs, Cleopatra of Egypt, London, 2001, p. 95.