The medallion is formed from sheet gold, depicting in relief a bust of the goddess Aphrodite facing outward, her head turned slightly to her left, her arms are bare, her...
The medallion is formed from sheet gold, depicting in relief a bust of the goddess Aphrodite facing outward, her head turned slightly to her left, her arms are bare, her chiton ending at the neck with an embroidered band. The himation, which is decorated in the same way, is thrown like a shawl over the shoulders. Her face is finely executed with the pupil of the eyes indicated, her hair parted and worn with a diadem. To the left in the field is a star, on the right, a crescent moon. Bordered with two circular piped strips, the outer one of which is wider than the inner. An old de Clercq collection label on the reverse.
Louis de Clercq (1882-1901) Collection, Oignies, France, acquired in the late 19th century, thence by descent to his grand-nephew Comte Henri de Boisgelin (1901 – 1967), rue de Mazarine, Paris
Literature
Such medallions were used for various decorative purposes, including as ornamentation on hairnets, cf. the example from the Stathatos Collection in National Archaeological Museum, Athens; and Princeton acc. nos. y1938-49, 50. For further discussion see Hoffmann & Davidson, Greek Gold. Jewellery from the Age of Alexander, Brooklyn, 1965, pp. 222-231. Such gold sculptural ornaments were made throughout the Hellenistic world, at a time when arguably the technical skill in goldsmithing was at its height. Such pieces have been found throughout the Mediterranean, Asia Minor, and the Levant.
Publications
A. de Ridder, Collections de Clercq, Tome VII, Les bijoux et les pierres gravées, Paris, 1911, p.242, no. 1349 (original label no C-192).