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Sculpture

Open a larger version of the following image in a popup: Roman, A Roman terracotta Campana relief fragment, Late Republican to Augustan, late 1st century BC - early 1st century AD

Roman

A Roman terracotta Campana relief fragment, Late Republican to Augustan, late 1st century BC - early 1st century AD
Terracotta
Height: 29.5 cm; width: 22.8 cm
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Depicting Victoria sacrificing a bull. The winged goddess is unclothed except for a himation, which is thrown over her left arm and left thigh, and sandals. Her reddish hair is...
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Depicting Victoria sacrificing a bull. The winged goddess is unclothed except for a himation, which is thrown over her left arm and left thigh, and sandals. Her reddish hair is held by a filet. She grabs with her left hand a bull on its nostrils and pulls its head upwards to free its neck. In her lowered right hand she holds a knife for the sacrifice.
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Provenance

Dr. Fritz Reinert (1912-1995) Collection, Vienna, Austria, acquired in the 1930s
Private collection, by descent circa 1978
Gorny & Mosch, Munich, 14 December 2011, lot 306
Musée d’Art Classique de Mougins, France, acquired from the above

Literature

Victoria was the the deified personification of victory in ancient Roman religion. Victoria first appears during the first Punic War, as a renaming of Nike, the Greek goddess of victory. Nike would have become familiar to the Roman military as a goddess of Rome's Greek allies in the Punic Wars. She was worshipped in Magna Graecia and mainland Greece, and was a subject of Greek myth. Around this time, various Roman war-deities begin to receive the epithet victor (conqueror) or invictus (unconquered). By the late Republican and early Imperial eras, Victoria had become a popular civilian and military goddess, both in association with other deities and in her own right.

The depiction of the goddess sacrificing a bull became a popular motif on Campana reliefs. 'Campana' reliefs take their name from Giampietro Campana, Marchese di Cavelli (1808-1880), a prolific collector of Greek and Roman art, who had a number of these reliefs in his collection. Campana reliefs were often made from moulds, from which several copies of the same scene could be taken, and then finished by hand. For a similar example in the British Museum, London, see acc. no. 1805,0703.307, and the Louvre, Paris, acc. no. Cp 4085.
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