In a muscular combat pose, his knees bent forward, the left leg in front, his right arm raised and back arched as if about to throw or thrust a weapon,...
In a muscular combat pose, his knees bent forward, the left leg in front, his right arm raised and back arched as if about to throw or thrust a weapon, now missing, his lion skin tied around his neck the forepaws hanging across his chest, the animal head pulled up to partially cover his head, two sharp fangs framing his face, the lion ears and long mane flowing down his back, the rest of the skin draped over his left arm.
Private collection of a German sculptor, before 1963
Bonhams, London, 28 October 2004, lot 37
Gorny and Mosch, Munich, 22 July 2020, lot 102
Private collection, acquired from the above
Literature
This bronze statuette of Herakles presents the hero as a man of extreme strength and vitality as he fights the Lernean Hydra, the second of his famous Twelve Labours.
Herakles leans back with his legs taut as he remains on balance. He would have been holding his club in his right hand above his head. Herakles is nude apart from the skin of the Nemean Lion which he wore as an impenetrable armour, it covers his head and is wrapped around his shoulders with its mane flowing down his back and its paws tied around his chest.
The stories connected with Herakles offered Hellenistic artists a wealth of opportunities to experiment with the depiction of dynamic poses, postures, and exaggerated musculature. For a similar bronze, in The Fitzwiliam Museum, Cambridge, see acc. no. GR.1864.