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Artworks

Open a larger version of the following image in a popup: Egyptian, An Egyptian gilt and gesso painted wood Ba-bird, Late Period, circa 664 - 30 BC
Open a larger version of the following image in a popup: Egyptian, An Egyptian gilt and gesso painted wood Ba-bird, Late Period, circa 664 - 30 BC
Open a larger version of the following image in a popup: Egyptian, An Egyptian gilt and gesso painted wood Ba-bird, Late Period, circa 664 - 30 BC

Egyptian

An Egyptian gilt and gesso painted wood Ba-bird, Late Period, circa 664 - 30 BC
Wood
Length: 15.7 cm
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Further images

  • (View a larger image of thumbnail 1 ) Egyptian, An Egyptian gilt and gesso painted wood Ba-bird, Late Period, circa 664 - 30 BC
  • (View a larger image of thumbnail 2 ) Egyptian, An Egyptian gilt and gesso painted wood Ba-bird, Late Period, circa 664 - 30 BC
  • (View a larger image of thumbnail 3 ) Egyptian, An Egyptian gilt and gesso painted wood Ba-bird, Late Period, circa 664 - 30 BC
The human-headed falcon standing on a rectangular plinth, wearing a false beard and a tripartite wig surmounted by a sun disc, polychrome painted details of plumage on the wings and...
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The human-headed falcon standing on a rectangular plinth, wearing a false beard and a tripartite wig surmounted by a sun disc, polychrome painted details of plumage on the wings and chest, the face and sun disc gilt. The gesso and painted details are worn throughout. The legs are restored.
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Provenance

Diniacopoulos Collection, acquired before 1951
Vincent (1886-1967) and Olga (1906-2000) Diniacopoulos arrived in Montreal from Alexandria in 1951, bringing with them the largest private collection of antiquities known in Canada. Many works from the collection are now in museums worldwide such as the British Museum, the Louvre, the ROM, and the Montreal Museum of Fine Arts

Literature

The Ba was the soul of the deceased, which was thought to leave the physical body upon death in order to join the sun god in the sky. On account of this, it was usually represented as a bird, often with a human head or arms. In order to ensure eternal life, the Ba had to periodically return to the burial chamber to be reunited with the mummy, as only the regular reuniting of body and soul could ensure the deceased's ongoing existence in the afterlife. Ba bird statuettes are among the wooden statues that might accompany a burial in the Late and Ptolemaic Periods. Sometimes they were prepared for attachment to a coffin or other funerary artefacts such as canopic boxes and Ptah Sokar Osiris figures. For other painted representations of Ba birds, cf. S. D'Auria, P. Lacovara, C.H. Roehrig, Mummies and Magic, Museum of Fine Arts Boston, 1988, fig. 148a and b, p. 199-200.
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